CANALETTO AND VENICE
16/02/2019

Eighteenth-century Venice with its lights and shadows unfolds through the rooms of Palazzo Ducale, in the story of an extraordinary century and its protagonist: Giovanni Antonio Canal, Canaletto. This was a period of great complexity and value, of excellence in the fields of painting, sculpture and decorative arts. From its beginning, the eighteenth century showed itself to be a century of enormous vitality and great changes: in the language of art, in the history of ideas and techniques, in social life. The exhibition starts from an overview of the early years of a new artistic form, which broke the bonds with the rigour of classicism and with the theatricality of the baroque, while colour began to take precedence over line. Luca Carlevarijs laid the foundations of Venetian vedutismo, while Rosalba Carrera renewed the art of portraiture. Two young artists of the same generation began painting works in which light acquires a founding, constructive value: in both Giambattista Tiepolo with his aggressive brushstrokes in dynamic compositions, and Canaletto in the painting views, their style would become more controlled and sharper. The voyage continues with the genre painting of Pietro Longhi, the explosion of vedutismo, the rise of history painting and of landscape, together with that of the capriccio. And this was a great season for engraving too, with which many artists experimented, and of Giambattista Piranesi. The story of this century is also that of a European presence in the Serenissima and of its home-grown artists venturing abroad. The glass art of Murano was also living through a period of glory, as was the making of jewelleryand porcelain.

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